![]() ![]() The Blackmagic Pocket Cinema Camera 4K ( Amazon, B&H) has a multitude of features. Optional: Set Sony "Aspect" to Squeeze or JVC "Anamorphic Lens" to Anamorphic D to increase black sidebars and to remove the stretched appearance.ĭigital Projection, Epson and Benq Projectors with a CDR lens and a 2.4:1 Cinema Format Screenĭigital Projection: Set "Aspect" to TheaterScope.ĭigital Projection: Set "Aspect" to Normal (or 4:3 Narrow to remove the 33% horizontal stretch by adding wide sidebars)Įpson: Set "Aspect" to Auto (or Horizontal Squeeze to remove the 33% horizontal stretch by adding wide sidebars).īenq: Set "Aspect" to 16:9 (or Anamorphic 16:9 to remove the 33% horizontal stretch by adding wide sidebars).Exclusive Bonus: Download 4 cinematic LUTs for the Blackmagic Pocket Cinema Camera 6K and 4K, for free. Note: Content appears 25% horizontally stretched. 16:9 projectors must be zoomed down to see full height then zoomed back up for other modes. Sony: Set "Anamorphic Lens" to 1.24x and "Aspect" to Normal. Note: 8% of content is cropped at the top and bottom. ![]() JVC: Set "Anamorphic Lens" to Anamorphic C. Sony: Set "Anamorphic Lens" to 1.24x and "Aspect" to V-Stretch. JVC and Sony Projectors with a DCR lens and a 2.4:1 Cinema Format Screen Treat the content as having a lower aspect ratio if optional language subtitles are desired. Other modes may be available with each projector. The following viewing modes and projector settings are typical for most content to best fill a cinema-format screen when using the projector model and screen format selected in the Lens Selector. Panamorph does not manufacture supporting hardware to mount older lens models and transports. Older UH480 and DC1 lens models (ie prior to 2015) are not recommended for today’s true 4K (and higher) projectors. The projector should be ideally mounted horizontally +/- 3” from screen center and at a height equal to or slightly above the top of the screen image for best geometry (for more details see the lens model manual). Currently available from Stewart Filmscreen and Seymour Screen Excellence, a 2.25:1 screen may be more optimum for an overall blend of movies, streaming, sports and gaming (see Viewing Modes after the projector model and a 2.25:1 screen are entered in the Lens Selector). Some additional screen border masking may be needed to fully fit 2.4:1 content on a 2.35:1 screen. A 2.25:1 screen is only selectable for Sony 16:9 projectors. ![]() The 2.35:1 cinema format was replaced by the 2.4:1 cinema format in 1972. Borders should ideally be a minimum of 3.5” (88mm) to mask edge distortion and content aspect ratio variations. Zooming the image up to mask off edge distortion will significantly reduce its visibility. This distortion will decrease with longer throw distances and smaller screens. Residual geometric distortion shown in the Lens Selector Image Geometry estimator (for a flat screen) is a result of prioritizing maximum image quality. Contact Panamorph for lens models compatible with older Sony 4K models such as VPL-295/695/715/885/915/995/1015. If two lens models are recommended then both will perform equally - the larger lens is sometimes chosen for potentially greater compatibility with future projectors, although this is not guaranteed. Bright green throw distance zones provide slightly higher clarity than other zones. These new horizontal expansion lenses are currently in pre-production for regular availability by the end of June. manuals - DCR-J1 DCR-J1-ST/ST DCR-S3 DCR-S3-ST/SST DCR-S4 DCR-S4-ST/SST CDR-E1 DCR+XM2 CDR+XM2 ![]()
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